Jen Michaels@jenlmichaels@chris_friend If by "here" we mean "with each other and not just the speaker," then yeah, Twitter backchannel makes us more here. #cwcon
19 May 2012
Chris Friend@chris_friendDoes the Twitter backchannel make us less "here"? I always feel more present when seeing the input of the backchannel. #cwcon#townhall
19 May 2012
Cate Blouke@CateBloukehere goes nothin! Catch y'all on the flipside... #cwcon
Kate E. Cloub@Sophist-e-KateAlso love how @hrheingold describes Twitter as not a community itself, but "an ecology in which communities can emerge"
28 May 2012
Jacques Ranciere@EmancipatedSpecEmancipation begins when we challenge the opposition between viewing and acting (13).
Verso 2009
Cate Blouke@CateBloukeInviting live tweets grants the audience so much more agency. They can contribute. Reminds me of @EmancipatedSpec 's ideas
19 May 2012
Kate E. Cloub@Sophist-e-Kate.@hrheingold sees conference live tweets as "a window on what my previously silent audience was thinking while I was talking."
Cate Blouke@CateBlouke@NecTheater – that's how I feel about inviting live tweets at confereneces – gets the audience energized & shows them their own performance.
7 Jun 2013
Paul Woodruff@NecTheaterWhen playwrights show us a play within a play they show us an audience… they are also showing us to ourselves (116).
Oxford UP 2008
Paul Woodruff@NecTheaterThe interaction between actors and audience builds a tension that energizes a live performance in theater (43).
Oxford UP 2008
josh guild@wardellfranklin@jmjohnsophd just curious as to what folks perceive to be the boundaries of appropriateness, respect, etc
29 Sep 2012
Paul Woodruff@NecTheater2/2-These two arts must be practiced together and brought into line with each other (5).
Oxford UP 2008
Michael Widner@mwidnerNext up, a paper on live-tweeting. Let's live-tweet it. Cate Blouke. #b5#cwcon
7 Jun 2013
Paul Woodruff@NecTheater1/2-There is an art of making yourself interesting, and an art of finding other people interesting (19).
Oxford UP 2008
Richard A. Lanham@AttnEconomy2/2-it might as well have been called 'the economics of attention'" (xii).
U Chicago Press 2006
Richard A. Lanham@AttnEconomy1/2-Rhetoric has not always been a synonym for humbug… Usually defined as 'the art of persuasion,' ...
Cate Blouke@CateBlouke@wardellfranklin glad you asked! I'll be addressing it shortly at #cwcon! Keep an eye on Twitter to see what people take from my pres.
19 May 2012
josh guild@wardellfranklinstill waiting on that "ethics of live tweeting in the academy" convo.
29 Sep 2012
Michael Widner@mwidnerNon-semantic uses of hashtags are a key to the network exchange nature of Twitter, community building, says @johnmjones#b5#cwcon
Richard A. Lanham@AttnEconomyThe screen works differently from the page. Words don't stay put. They dance around. Images play a major role and they move too (20).
U Chicago Press 2006
Kate E. Cloub@Sophist-e-KateSocial media seems like a more democratic approach to the archive - anyone can contribute! Though, admittedly, they might not be seen/read.
28 May 2012
Collin Brooke@cgbrookemy thanks as well to all who tweeted #rsa12 this week--was a nice way for me to get back into the conference swing of things
Cate Blouke@CateBloukei.e. to be is to be tweeted (about)... at least at #rsa12
27 May 2012
Cate Blouke@CateBlouke@philosophister proposes that computer (as 2nd order mediator) augments our genetic code - to be is to be remediated #rsa12
27 May 2012
Diana Taylor@ArchiveRep'Archival' memory exists as documents, maps, literary texts, letters… all those items supposedly resistant to change (19).
Duke UP 2003
Blake T. Cue@Rhetro-Actor@ArchiveRep – reminds me of Walter Benjamin & "The Work of Art in the Age of Mech. Rep" – talking about how the camera directs the eye.
27 May 2012
Cate Blouke@CateBlouke@johnmjones provides citations at bottom of all slides - super-handy, thanks! Will employ that tactic in future #rsa12
27 May 2012
Diana Taylor@ArchiveRep2/2-A video of a performance is not a performance… (the video is part of the archive…) (20).
Duke UP 2003
Diana Taylor@ArchiveRep1/2-The live performance can never be captured or transmitted through the archive.
Duke UP 2003
Blake T. Cue@Rhetro-Actor@NecTheater – yeah, I get that. I love the audience energy I can feel when watching a play, or especially in stand up comedy!
Paul Woodruff@NecTheaterTheater is immediate, its actions are present to participants and audience. And in theater you are part of a community of watchers... (17).
Oxford UP 2008
Paul Woodruff@NecTheaterUnlike a script, an event in theater is ephemeral. Even a production is always in motion, so that scholars who write about it take a risk (36).
Oxford UP 2008
Blake T. Cue@Rhetro-ActorHey, @NecTheater, some rhetoric academics are talking about twitter & performance. What makes theater hard to write about?
Cate Blouke@CateBlouke@cgbrooke so is the blog post a preview for your "Tweet This Panel" paper? (seriously, that panel should happen)
27 May 2012
Cate Blouke@CateBlouke@cgbrooke says: "A lot of closely written essays are like mysteries, whose final payoff doesn't arrive until the end" - AGREED. #rsa12
Richard A. Lanham@AttnEconomyCasting the present day as a titanic struggle between the forces of print and digital raiders no longer makes sense (80).
U Chicago Press 2006
John Jones@johnmjonesWith no presentation tech, 75% of #rsa12 audience stares at floor as they listen. To outsiders we must appear deeply ashamed of something.
Diana Taylor@ArchiveRepPerformances function as vital acts of transfer, transmitting social knowledge, memory, and a sense of identity through [behavior] (3).
Duke UP 2003
Amanda Wall@_AmandaWallI'm really looking forward to incorporating all the insights of #cwcon into my #rsa12 paper on the plane this afternoon.
19 May 2012
Cate Blouke@CateBloukeSo many awesome panels happening right now! Thank you #cwcon people (and twitter) for letting me be in several places at once!
19 May 12
Blake T. Cue@Rhetro-Actor@ArchiveRep - you write a lot about the ephemerality of performance. What do you think it does for us?
17 Feb 2012
Blake T. Cue@Rhetro-Actorbrowsing through old #4c11 tweets and thinking about how hard it is to recreate the experience of live events...
Kristin Arola@kristinarola@rhetboi having fun digging through #cccc11 tweets and nosing around @ ppl i don't know. not as good as fb spying but better than grading