Pleased to Credit

Textual Credits

Butler, Judith. Gender Trouble. London: Routledge, 1999. Print.

Cottom, Tressie McMillan. "An Idea is a Dangerous Thing to Quarantine #twittergate." tressiemc (blog), 30 Sept. 2012. Web. 20 May 2013. ‹http://tressiemc.com/2012/09/30/an-idea-is-a-dangerous-thing-to-quarantine-twittergate/›

Davis, D. Diane. Breaking Up [at] Totality: A Rhetoric of Laughter. Carbondale: Southern Illinois University Press, 2000. Print.

Friere, Paulo. Pedagogy of the Oppressed. New York: Continuum, 2009. Print.

Koh, Adeline. "#Twittergate: What are the ethics of live-tweeting at conferences?" Storify, 30 Sept. 2012. Web. 20 May 2013. ‹https://storify.com/adelinekoh/what-are-the-ethics-of-live-tweeting-at-conference›

Kolowich, Steve. "The Academic Twitterazzi." Inside Higher Ed, 2 Oct. 2012. Web. 20 May 2013. ‹http://shar.es/Lfcz0›

Lanham, Richard A. The Economics of Attention: Style and Substance in the Age of Information. Chicago: University of Chicago Press, 2006. Print.

Rancière, Jacques. The Emancipated Spectator. London: Verso, 2009. Print.

Rheingold, Howard. "Twitter Literacy (I refuse to make up a Twittery name for it)." SFGate.com, 11 May 2014. Web. 12 Sept. 2014. <http://blog.sfgate.com/rheingold/2009/05/11/twitter-literacy-i-refuse-to-make-up-a-twittery-name-for-it/>

Shakespeare, William. ** quotations pulled from the Internet & the Twitter handle was fabricated. But if you'd like to follow Will on Twitter, he tweets regularly from @Wwm_Shakespeare. Web.

Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003. Print.

Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2002. Print.

Woodruff, Paul. The Necessity of Theater: The Art of Watching and Being Watched. Oxford: Oxford University Press, 2008. Print.

Visual Imagery Credits

Visual images used in interface design come from Twitter. Visual images for **real** Twitter avatars come from the Twitter users avatars (accurate as of 7/26/14). Visual images for **theorist** Twitter avatars come from Amazon.com visual images of the the texts used in "Pleased to Tweet You" (accurate as of 7/26/14). Visual images for **fake** Twitter user avatars are below.

Bate U. Locke, "To Be or Not To Be" dinosaur, retrieved from http://funny-pictures.picphotos.net/dinosaur-meme-tumblr-picture/1/

Blake T. Cue, gentleman drawn in chalk, retrieved from http://www.backstage.com/advice-for-actors/resources/6-la-classical-training-acting-schools/

Kate E. Cloub, black "sophisticat," retrieved from http://www.zazzle.com/sophisticat_print-228051938640438071

O. Balee Tuck, acute and obtuse angles, retrieved from http://dailyfunnyblog.wordpress.com/page/6/

Video Imagery Credits

Act I: Exposition

Act II: Conflict

Act III: Climax

Act IV: Falling Action

Act V: Resolution

Interface Credits

We thank Eric Meyer for his CSS reset, Nick Stakenburg for his lightbox, JugBit for the vTicker (Twitter feed), and Paul Trani for the formmail.php file and instructions on how to use it from his tutorial on Dreamweaver CS 6 at Lynda.com